Our choir size has dwindled so much that we no longer have enough people. If new people want to join we can always restart. To join our choir, contact our retired choir director listed below.
Meanwhile, the Nora choir page is an excellent resource for UU choir directors. It contains 13 years worth of choir music along with practice files for all parts. You are free to use it for your choir members to rehearse any of the music on the site.
You can contact the choir director by e-mail at , or if you do not have access to e-mail you can use the form on the comments page. Please note that if you use this form, your comment submission will not be published on the comments page. It will be forwarded as an e-mail to the choir director.
These files are only to be used to learn the music.
No other use is intended.
Performed on Oct 21, 2018.
Celebrating the 450th anniversary of the one of the world's first statements of religious tolerannce in 1568, in the city of Torda, in what is now Romania.
Ferenc Dávid
King János Zsigmond Zápolya of Hungary, encouraged by his Unitarian Minister Ferenc Dávid, during the Diet of 1568 issued the following proclamation: (roughly translated into English)
His majesty, our Lord, in what manner he – together with his realm – legislated in the matter of religion at the previous Diets, in the same matter now, in this Diet, reaffirms that in every place the preachers shall preach and explain the Gospel each according to his understanding of it, and if the congregation like it, well. If not, no one shall compel them for their souls would not be satisfied, but they shall be permitted to keep a preacher whose teaching they approve. Therefore none of the superintendents or others shall abuse the preachers, no one shall be reviled for his religion by anyone, according to the previous statutes, and it is not permitted that anyone should threaten anyone else by imprisonment or by removal from his post for his teaching. For faith is the gift of God and this comes from hearing, which hearing is by the word of God.
Performed on Dec 16, 2018.
Traditional English Carol
Arranged by Alice Parker
Happy Easter
Performed on Apr 21, 2019.
Music by Ola Gjeilo
Lyrics by Christina Rossetti
(1830-1894)
Sing Song: A Nursery Rhyme Book (1872)
by Christina Rossetti
Performed on Aug 6, 2017.
Click on the above music to view a large image and then drag it by the tab to a blank space on your window.
Now if you would like, you can widen the window to make the music even larger. If that is too large, just make the window narrower again and the music will resize itself.
You should now be able to see the music and the voice players at the same time. If your screen is small, you may have to adjust the width of the windows.
Our arrangement is slightly different from the original.
Performed on Nov 19, 2017.
Words by Anna AkhmatovaPerformed on Dec 17, 2017.
Traditional English Tune
“London Waits”
words by
George Ratcliffe Woodward
(1848–1934)
Note that our arrangement is slightly different.
We will be singing verses 1, 2, 6 & 8.
Click on the above music to view a large image and then drag it by the tab to a blank space in your window so you can view the music and the voice players at the same time. If you click the music again, it will even get larger image. If your screen is small, you may have to adjust your windows widths.
Performed on Feb 18, 2018.
Performed on Mar 18, 2018.
Traditional Irish Folk Song
Arranged by Alice Parker
The phrase "Och hone" is repeated throughout the song.
This is a Gaelic expression of grief or regret - alas or woe.
At measure 9, when the basses have the Ds in octaves, disregard the lower note.
At measure 25, and to the end, the basses should sing their notes an octave higher.
The tempo is quite slow and unchanging (approximately a dotted quarter note = 45) until we have a ritardando at measure 31, and a molto ritardando on the last measure.
Happy Easter
Performed on Apr 1, 2018.
Words & Music
by
John Rutter
Words & Music
by
John Dowland
(1562-1622)
Because our choir is now so small and our members are unable to rehearse and perform regularly,
our rehearsal and performance schedule has been greatly reduced.
We now rehearse on the 1st and 3rd Sundays of each month and plan to sing for Christmas,
Easter and hopefully next year the combined choir performances with the Mankato Fellowship Choir in May.
(Performed on Jan. 22nd, 2017.)
Words & Music
by
John Rutter
Please note that for the practice parts starting at measure 17, only the second ending is used.
Happy Easter
(Performed on Apr. 16, 2017.)
(Performed on Oct 25, 2015.)
(Performed on Nov 15, 2015.)
We have been asked to sing for the November 29th service. We can do it if you take some time to practice your parts before the rehearsal on Sunday.
(Performed on Dec. 19, 2015.)
(Performed on Dec 20, 2015.)
(Performed on Feb. 21, 2016.)
Happy Easter
(Performed on Mar. 27, 2016.)
Words & Music
by
John Rutter
Words & Music by Alice Parker
“The effect should be that of a prism casting moving colors on a wall, or of people moving through a gathering.”
----- Alice Parker
Make sure you have the latest revision!
All 8th notes in the 1st measure should have a single beam.
Note that in the men's part in measure 10, the last note has been changed to a "G" and is sustained into the next measure rather than the "F".
Words & Music by Fred Small
“Syttende Mai Sunday”
(Performed on May 17, 2015)
(Performed on Oct. 13, 2013.)
Singing the Living Tradition
#152
Beginning refrain - All
1st verse - S.A.
Beginning refrain - All
2nd verse - T.B.
Beginning refrain - All
3rd verse - All
Beginning refrain - All
(Performed on Nov. 17, 2013.)
Sopranos and Tenors sing the same part.
Altos and Basses sing the same part.
Measures 13 & 14.
- Sopranos sing the upper part.
- Tenors sing the lower part.
Shaker Song
Adapted by Aaron Copland |
Transcribed by Irving Fine |
Tyrolean Carol
(Performed on Jan. 19, 2014.)
I have used the rehearsal number "29a" to indicate the section that starts on the 2nd measure at the bottom of page 4.
Slide show of choir performance
Words & music by
Stephen C. Foster
Arranged by
Alice Parker & Robert Shaw
Changes have been made.
Be sure to mark your parts.
Soprano, Alto & Tenor:
Page 9; last measure;
Change half note to a quarter note followed by a quarter rest.
Alto:
Page 8; 1st stave; measure 3:
C# on 2nd note
Page 8; 2nd stave; measure 2:
8th note on 1st note
Page 10; 2nd stave; measure 2:
B on both notes
Page 11; 2nd stave; measure 3:
1st note: F, A & C.
2nd note: F & A
Tenor:
Page 8; 1st stave; measure 3:
High E on the 2nd note
Page 11; 2nd stave
Measures 1 & 2:
1st & 2nd note an 8ve lower
Measure 3:
Middle line B on 1st & 2nd note
Bass:
Page 11; 2nd stave; measure 3
Lower note only
Practice the slow versions first!
Practice slowly in order to learn the right way and not waste time having to unlearn anything you incorrectly learned by hurrying.
Don't even attempt to sing the fast version until you are completely at ease with your part.
Notice how some notes are replaced with a rest in order for you to breath. The notation doesn't tell us everything. This is where our musical style and interpretation come in. Practice slowly in a relaxed manner. Take time for good breaths and get comfortable with the style. A metranome is included in all versions to help you feel the beat. The song is not hard if you take time to learn your part.
When you know your music, first sing along to the SATB-Slow version so you can feel how your part fits with the others. Then finally sing to the SATB-Fast version. Don't force your voice. Relax and have fun. The arrangement is delightful and wonderful to sing!
Hymns Of The Month | ||
---|---|---|
Month | Title | Source |
August | Rank by Rank Again We Stand | #358 |
September | We Laugh, We Cry | #354 |
October | The Blessings of the Earth and Sky | #308 |
November | O Star of Truth | #293 |
December | In the Lonely Midnight | #242 |
January | There is More Love Somewhere | #95 |
February | Standing on the Side of Love | #1014 |
March | Praise O My Heart to You | #284 |
April | Lo, the Earth Awakes Again | #61 |
May | How Could Anyone Ever Tell You? | #1053 |
June | All Creatures of the Earth and Sky | #203 |
Title | Composer Arranger | mp3 Practice Files |
---|---|---|
Child of Tomorrow | Words and Music by Mark Patterson |
SATB Soprano@25 Alto@25 Tenor@25 Bass@25 |
Kuna Karamu |
Words & Music by Sally K. Albrecht (Swahili - Let's Celebrate) |
SATB Soprano Alto@25 Tenor@29 Bass@29 |
(Performed on Oct. 14, 2012.)
(Performed on Nov. 4, 2012.)
African (Zulu)
Edited by Anders Nyberg
Singing The Journey
#1030
(Performed on Dec. 16, 2012.)
(Performed on Jan. 20, 2013.)
Music by Don Besig
Words by Don BesigThis year the choir and congregation will combine our voices to turn our hymn of the month into the anthem for Easter Sunday.
The congregation will practice their part by singing the new hymn with help from the choir on the four Sundays before Easter. Then on Easter Day the congregation will sing the part they have learned and the choir will sing different parts to enrich our song.
Please join us and add your voice to make our Easter service a special musical day for us all.
Music by Theodore Dubois
Arr. by Jean Horneck
Sopranos:
Sing as written.
Altos:
Hum measures 1 & 2 and sing the rest as written.
Tenors:
Hum measures 1 thru 4 and sing the rest as written.
Basses:
Hum measures 1 thru 6 and sing the rest as written.
Music by Joel Raney
Adapted by Herb Frombach
“Syttende Mai Sunday”
May 19, 2013
Under the tent in the Hanksa park.
Hymns Of The Month | ||
---|---|---|
Month | Title | Source |
September | With Heart and Mind | #300 |
October | Mother Spirit, Father Spirit | #8 |
November | I Know I Can Go On | #1015 |
December | On This Day Everywhere | #249 |
January | The Fire of Commitment | #1028 |
February | Once When My Heart Was Passion Free | #335 |
March | Life Calls Us On | Shelton & Gibbons |
April | Blue Boat Home | #1064 |
May | Now Let Us Sing | #368 |
Gathering Day Program
Celebrating Nora UU Church's 1881 Gathering Day
With Original Music of the late 1800s
(Performed on Aug. 21, 2011.)
Query? Shall Women Vote? (1881)
Words by Joseph D Payne
Music by Frank Boylen
Little Mollie Brown (1881)
Words by Arthur W. French
Music by W. S. Milton
Slowly and Sadly (1881)
Words & Music by Arabella M. Root
I'll Marry the Man I Love (1897)
Words & Music by Monroe H. Rosenfeld
Hang Up the Baby's Stocking (1870)
Words by Emily Huntington Miller
Music by Hiram Murry Higgins
Lost (1881)
Words by C. B. Lewis; Music by Marion
The Old Kitchen Door (1881)
Words & Music by Eddie Fox
The Old Kitchen Clock (1898)
Words & Music by G. B. Brigham
(Performed on Oct. 16, 2011.)
(Performed on Nov. 20, 2011.)
Singing The Journey
#1064
(Performed on Dec. 11, 2011.)
Singing The Living Tradition
#248
Arranged by
Mac Huff
(Performed on Jan. 15, 2012.)
Singing The Living Tradition
#169
(Performed on Feb. 19, 2012.)
Singing The Journey
#1055
(Performed on Mar. 18, 2012.)
Singing The Journey
#1041
Spanish
Slower tempo
for practice.
(Performed on Apr. 8, 2012.)
Swahili - Let's Celebrate
How Can I Keep from Singing was written by a Baptist minister, The Rev. Robert Lowry, and first appeared in an 1869 collection of Sunday school songs, entitled Bright Jewels for the Sunday School.
The song entered Unitarian Universalism in 1969 when it was included in Songs of Faith in Man, published by the First Unitarian Church of Los Angeles. Pete Seeger had sent it to the church for the songbook.
Seeger learned the song in the 1950s from Doris Plenn, who had learned it from her grandmother, a North Carolina Quaker.
Plenn changed the lyrics to protest the jailing of her friends for their political beliefs during the “witch hunts” of the House Un-American Activities Committee.
Irish Tune “Sly Patrick”
Has sorrow thy young days shaded,
As clouds o’er the morning fleet?
Too fast have those young days faded,
That even in sorrow were sweet?
Does time with his cold wing wither
Each feeling that once was dear?
Then child of misfortune, come hither,
I'll weep with thee, tear for tear.
Has hope, like the bird in the story,
That flitted from tree to tree.
With the talisman’s glittering glory,
Has hope been that bird to thee?
On branch after branch alighting,
The gem did she still display,
And when nearest and most inviting,
Then waft the fair gem away?
If thus the young hours have fleeted,
When sorrow itself look’d bright;
If thus the fair hope hath cheated,
That led thee along so light;
If thus the cold world now wither
Each feeling that once was dear;
Come, child of misfortune, come hither,
I'll weep with thee, tear for tear.
(Performed on Sept. 19, 2010.)
(Performed on Oct. 17, 2010.)
Jason Shelton
Singing The Journey(Performed on Nov. 21, 2010.)
Alice Parker
From “The Family Reunion”
“A Backyard Opera”
(Performed on Nov. 28, 2010.)
(Performed on Jan. 16, 2011.)
Carolyn Jennings
Originally scheduled for Dec., but cancelled by a blizzard, so we are singing it now!
(Performed on Mar. 20, 2011)
Jeannie Gagné
Singing the Journey #1006
Originally scheduled for Feb.,
but cancelled by a blizzard so we are adding it to our March 20 service.
(Performed on Mar. 20, 2011.)
(Performed on Easter - Apr. 24, 2011.)
Music composed by Johannes Eccard
Notice how any part makes a perfect duet with any other part.
Johannes Eccard was one of the leading Lutheran composers of the 16th century.
This song, first published in 1585, places the melody in the soprano line and then goes on to display superb polyphony, while still retaining the energy of Martin Luther’s Ein feste Burg of 1529.
(Performed on Nov 15, 2009.)
(Performed on Dec 20, 2009.)
(Performed on Feb. 21, 2010.)
(Performed on Mar 21, 2010.)
(Performed on Apr 18, 2010.)
(Performed on Feb. 22, 2009.)
(Performed on Mar 15, 2009.)
(Performed on Apr 19, 2009.)
(Performed on Nov 4, 2007.)
(Performed on Nov 18, 2007.)
(Performed on Dec 16, 2007.)
(Performed on Mar 2, 2008.)
(Performed on Mar 23, 2008)
(Performed Oct 29, 2006)
(Performed Nov 26, 2006)
Note that in measures 8 and 9, the soprano part has been altered in order to make it more singable for sopranos with a limited upper range.
(Performed Dec 3, 2006)
Note that a special soprano part was created in order to make it more singable for sopranos with a limited upper range.
(Performed Apr 8, 2007)